By Nadine Kam

Nadine Kam photos
At the Chanel Waikiki boutique, a guest poses for a photograph in front of one of Robert Kobayashi’s paintings on metal. He also created the bust from strips of scrap metal secured with hundreds of nails.
Luxury Row’s high-end boutiques became home to art lovers Thursday night with the opening of the “Hawaii’s Modern Masters” exhibition, presented by Cedar Street Galleries, that continues through the end of November.
Nine artists were paired with seven boutiques, with Chanel hosting the largest exhibition marking a reunion of artists Satoru Abe, Harry Tsuchidana and Robert Kobayashi, friends who studied and worked in New York in the 1950s. Abe and Tsuchidana returned home to continue their careers, while Kobayashi remained in New York. So this show also marks the largest display of Kobayashi’s works in his hometown.
At Chanel, I ran into next-generation artist Kamea Hadar, who has his own show of oils on canvas, “Voluptuous Lines” up at Pacific Guardian Center on Bishop Street through January 2010. He put me on the spot by asking which of the works was my favorite, which he said he likes to do because the answers can be so revealing. He got that right. That would be getting inside someone’s head in a way much more revealing than words and clothing could ever be. Words and the way you dress, if you’re aware of their connotations, can be controlled. Gut reactions to art can’t, revealing levels of education, intellect, visual sophistication, temperament and other aspects of personality. While thinking all these thoughts, I promptly forgot to ask him what HIS favorite piece was, or maybe I did and he coyly evaded the question.
Meanwhile, Harry, Sandy Pohl and I talked about staging a drawing show together next year. I can’t draw that well so it’ll be interesting. My art philosophy anyway is to get back to the point of being as fearless as a child unfettered by rules of technically sound drawing. Given that mindset, I gravitated to Daven Hee’s cheerful, exuberant, and rather voluptuous yellow ceramic submarines over at Hugo Boss, below.

From Chanel, I worked my way back to Tiffany, where Rick Mills showed his glass and mixed media sculptures, and guests sipped blue martinis served with Tiffany blue paper parasols.
At Coach, Ron Smith’s wood and metal sculptures stood amidst a colorful collection of sequined and feathered handbag for the holidays. Scott Fitzel’s paintings looked at home in Gucci, while Tod’s showcased wood sculptures by Aaron Padilla, and at YSL, artist Jaisy Hanlon was looking so chic that people thought she was employed there. I thought she was a YSL manager as well, until I figured out she had a circle of admirers because she was the artist.
Her work is an intriguing blend of yin and yang, with soft pastels that serve as a backdrop to dark metal silhouettes, which has to make you wonder what’s going on in her head. She grew up in Idaho and moved to New York before getting tired of the cold and moving to Maui, where she also teaches at Hui Noeau. The New York connection might explain her fashion sense, because artists there are some of the best-dressed people. Check out Robert Kobayashi in the photo below, in classic black and white.
That’s one thing I don’t understand about Hawaii artists. Very few of them ever dress up. Not that there’s anything wrong with that, but it seems that people with an innate visual sense would want to put in as much effort in presenting themselves as they would a canvas. The Luxury Row art opening drew the fashion set, but the typical art reception would be so much more interesting if people dressed. Maybe the artists just don’t want to compete with their canvases.

The artists, from left, Harry Tsuchidana, Robert Kobayashi and Satoru Abe in front of one of Tsuchidana’s paintings.

Aaron Padilla showed his wood sculptures at Tod’s. He’s sitting behind a piece entitled “Little Sense.”

Artist Jaisy Hanlon, in black, with Masako Nashimoto, who was admiring her mixed media, “Animal Vegetable Mineral #2.”

I noticed Jaisy’s bold and unusual jewelry right away, and it turns out her metalsmithing isn’t restricted to walls. She made her ring with epoxy and minerals on metal.

At Gucci, I spotted denim designer Allison Izu with Julie Aragaki and Stacey Makiya, in front of one of Scott Fitzel’s paintings.
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