Front-row view at Gottex

September 30th, 2009
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Gottex runway
Nadine Kam photos
At the Gottex show, a model steps out in an assymetric ruched swimsuit in Desert beige degradé print with Desert grosgrain gold accent belt.

At some point, I’ll finish all my NY Fashion Week stories, though by now the London and Milan shows have ended. Sorry, I guess that’s the difference between keeping up with two or three events spread out over a week, and four to five a day.

Of course there’s a sizable market for swimwear in Hawaii, so shows by Rosa Chá and Gottex were a must. At Rosa Chá, new creative director Alexandre Herchcovitch showed a sunny array of yellows and vibrant oranges, exuding the heat of the Brazilian brand.

Meanwhile, at the Gottex swimwear show — full of rich creams, golds and ocean blues in retro-glam styles geared more toward poolside soirées than rough-and-tumble waves — I slipped from second row to an empty seat in the first row where, for once, my view was unobstructed.

There is a sweet spot when it comes to timing your seat move, after all the seated guests are in, but just before the standing-room-only crowd enters. The show planners always overbook because just as with televised sports, the designers don’t want to play to a batch of empty seats. Move too soon, and the person whose seat you’re grabbing may show up and roust you. Move to slow and available seats will be filled by quick-moving SROs. Worst case scenario, the seat holder shows up, an SRO has already filled your seat and is not likely to give it back.

Gottex goldGottex blue

Ochre brush print swimsuit with gold disk and precious stone embellishment worn with silk chiffon top with embroidered grosgrain gold accent belt. At right is the cobalt blue sea print lycra swimsuit with cobalt blue grosgrain gold accent belt.

The seat holder doesn’t show. Score! Problem is, I’m not front-row material. I’m too busy and fidgety, turning this way and that for photos, when the videographers in back of the house expect the front row to be motionless, save for turns of the head. Any other movement distracts from the show.

Nadine Kam video

It didn’t help when I reached for my video camera and my bag spilled over toward the runway. Luckily, the contents didn’t fall out, but then I couldn’t reach the handles, and rather than have my head bobbing toward the floor and right arm reaching out for the cameras to capture the struggle, I let it lay there for the show’s duration. In the photos you can see how close it is from the chairs to the runway.

I also take it personally when someone in the show’s control booth shouts, “Uncross your legs!” The leg stabbing out toward the runway also interferes with the video and camera shots. But then, there’s a lot of stirring in the audience and it turns out I’m not the only one uncrossing.

Gottex yellowGottex red

At left is Gottex’s Ochre degradé lycra swimsuit with Fade-out desert print silk kimono and Ochre embroidered gold accent belt. On the right is a Coral red abstract print side-ruched swimsuit worn with a Coral red abstract print silk caftan and red grosgrain gold accent belt.

The show opened with strong showing of sand and cream colors — for the most confident or fittest women — maillots and bikinis, including one-shoulder designs, then moved into sparkling sequined blacks which isn’t very practical, unless one plans to wear them as part of an evening ensemble.

There was also a segment featuring a beautiful cobalt blue sea print, and another showing a touch of red via faux coral necklace embellishment, print and faux coral charms.

Rosa Cha swim

Rosa stripe

rosa more

rosa wrap

Reds, yellows and stripes dominated the Rosa Chá show.

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